/event-detail/49856/sale-i-ancient-and-modern-glyptics
https://www.antheafinearts.co.uk/en/object-detail/885357/20085/renaissance-agate-intaglio-%E2%80%93-night
Circle of Valerio Belli (1468-1546). A Large Renaissance Agate Intaglio. Mythological scene with Triptolemus and Ceres.
£ 6750
circle of valerio belli (1468-1546). a large renaissance agate intaglio. mythological scene with triptolemus and ceres.
Circle of Valerio Belli (1468-1546). A Large Renaissance Agate Intaglio. Mythological scene with Triptolemus and Ceres.
£ 6750
Dim. 28 x 40 x 8 mm
Italy, 16th century
This finely executed allegorical scene depicts Triptolemus receiving poppy flowers from Ceres, goddess of agriculture. According to mythology, these flowers, once distributed to farmers, bestow sweet sleep and peaceful rest. The female figure has also been interpreted as a personification of Night.
The composition is structured around a central column, dividing the scene into two halves. On the left, three farmers are depicted: one standing, one kneeling, and one seated, offering flowers. On the right, Ceres presents the poppies to Triptolemus, shown nude save for a flowing cloak.
The work demonstrates exceptional technical and artistic mastery, executed on a particularly large and beautifully banded three-layered agate. Some signs of wear consistent with age and use.
An other interpretation sees in this scene the draped female figure—
personifying Night — walks to the left, offering poppy flowers to a nude male figure. Behind her, to the right beneath a tree, three figures are shown bending: two male and one female.
The composition is elegantly structured around a central column, dividing the scene into two halves. The iconography evokes the myth of Triptolemus receiving poppies from Ceres, which, once distributed to farmers, bestow sweet sleep and peaceful rest. The female figure has traditionally been identified as Night (Nox), a poetic interpretation first proposed by Pierre-Jean Mariette.
ATTRIBUTION & ART HISTORICAL CONTEXT
This intaglio derives from a celebrated model by Valerio Belli, called il Vicentino (c. 1468–1546), the foremost gem engraver and rock crystal carver of the Italian Renaissance. The attribution to Belli was established by Ernst Kris (1929) and is supported by the characteristic treatment of the female figure, consistent with other feminine creations by the master.
The evocative title Night Distributing Poppies was coined by Pierre-Jean Mariette, who illustrated the original stone in his landmark Traité des pierres gravées (1750).
The success of this composition is attested by numerous period replicas, testifying to its enduring appeal among collectors from the 16th to the 18th century.
Original model:
- Bloodstone intaglio, Bibliothèque nationale de France, Cabinet des Médailles, Paris (Chabouillet 1858, no. 2383; Mariette 1750, vol. II, pl. LX; Reinach 1895, pl. 88, 60; Valerio Belli Vicentino 2000, p. 359, no. 157)
- Replicas at the Hermitage Museum, Saint Petersburg:
- Carnelian, 16th century (inv. I 5376, 30 × 35 mm)
- Sardonyx, 16th century (inv. I 5370, 24 × 30 mm)
- Onyx, 17th century (inv. I 5374, 26 × 31 mm)
- Carnelian-onyx, 18th century (inv. I 12467, 31 × 43 mm)
Further references:
- Raspe-Tassie 1791, nos. 8263, 8264
- Cades 61, no. 30
- Lewis 1996, no. 98
- L.P. Stefanelli, La Collezione Paoletti, vol. 1, p. 134, no. 198
Each piece of jewellery is delivered with an authentification certificate signed by Bianca Massard and Gabriele Vangelli de Cresci experts, including additional documentation if existing and exhaustive description of the piece.
Pictures are part of the description and show state of conservation of the item. For additional pictures please contact us. (see contact section)
Shipping and pick-up at the store options can be chosen during check out.
Our exclusive delivery partner is ThePackengers.
ThePackengers, specialized in the packaging and transport of works of art and collectibles, already collaborates with the largest auction houses as Drouot, but also with galleries, fairs, antique dealers, decorators and e-marketplaces.
See our Country List
Shipping Terms and Conditions.
Privacy Policy ThePackengers.
Each piece of jewellery is delivered with an authentification certificate signed by Bianca Massard and Gabriele Vangelli de Cresci experts, including additional documentation if existing and exhaustive description of the piece.
Pictures are part of the description and show state of conservation of the item. For additional pictures please contact us. (see contact section)
Shipping and pick-up at the store options can be chosen during check out.
Our exclusive delivery partner is ThePackengers.
ThePackengers, specialized in the packaging and transport of works of art and collectibles, already collaborates with the largest auction houses as Drouot, but also with galleries, fairs, antique dealers, decorators and e-marketplaces.
See our Country List
Shipping Terms and Conditions.
Privacy Policy ThePackengers.
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Terms & conditions for website use
October 17, 2023
The following are the terms and conditions (the "Terms") under which you (a "User") may use the website of Anthea Fine Arts (the "Company") at www.antheafinearts.com and/or any other addresses (any or all of which are herein referred to as the "Web Site"). Please read this page carefully. By accessing and using the Web Site, you accept and agree to be bound, without modification, limitation or qualification, by the Terms. The Company may, at its sole discretion, modify or revise the Terms at any time by updating the text of this page. You are bound by any such modification or revision and should therefore visit this page periodically to review the Terms.
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Section 5. Links to Other Sites
The Web Site may contain links to third-party web sites that are maintained by others. These links are provided solely as a convenience to you and not as an endorsement by the Company of the contents of such third-party web sites. The Company is not responsible for the content of linked third-party sites and does not make any representations regarding the content or accuracy of materials on such third-party web sites. If you decide to access linked third-party web sites, you do so at your own risk.
Section 6. Liability Disclaimers
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Section 7. Disclaimers of Certain Damages
IF YOU ARE DISSATISFIED WITH ANY PORTION OF THE WEB SITE, OR WITH ANY PROVISION OF THE AGREEMENT, YOUR SOLE AND EXCLUSIVE REMEDY IS TO DISCONTINUE USING THE WEB SITE. UNDER NO CIRCUMSTANCES SHALL THE COMPANY BE LIABLE TO ANY USER OR ANY THIRD PARTY ON ACCOUNT OF THAT USER'S USE OF THE WEB SITE. IN NO EVENT SHALL THE COMPANY AND/ OR ITS SUPPLIERS BE LIABLE TO YOU OR ANY SUCH THIRD PARTY FOR ANY DIRECT, INDIRECT, PUNITIVE, EXEMPLARY, INCIDENTAL, SPECIAL OR CONSEQUENTIAL DAMAGES OR ANY DAMAGES WHATSOEVER, INCLUDING, WITHOUT LIMITATION, DAMAGES FOR LOSS OF USE, DATA OR PROFITS, ARISING OUT OF OR IN ANY WAY CONNECTED WITH THE USE OR PERFORMANCE OF THE WEB SITE, THE DELAY OR INABILITY TO USE THE WEB SITE, THE PROVISION OF OR FAILURE TO PROVIDE SERVICES, OR FOR ANY INFORMATION, SOFTWARE, PRODUCTS, SERVICES AND RELATED GRAPHICS OBTAINED THROUGH THE WEB SITE, OR OTHERWISE ARISING OUT OF THE USE OF THE WEB SITE, WHETHER BASED ON CONTRACT, TORT, STRICT LIABILITY OR OTHERWISE, EVEN IF THE COMPANY OR ANY OF ITS SUPPLIERS HAS BEEN ADVISED OF THE POSSIBILITY OF DAMAGES. BECAUSE SOME STATES/JURISDICTIONS DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU.
Section 8. Indemnity
You agree to defend, indemnify, and hold harmless the Company, its officers, directors, employees and agents, from and against any losses, liabilities, damages, costs, and expenses, including, without limitation, reasonable legal, expert and accounting fees, incurred in connection with any claims, actions or demands alleging or resulting from your use of the Material (including Software), your breach of this Agreement, or your violation of law or of the rights of any third party. The Company shall provide notice to you promptly of any such claim, suit, or proceeding and, if it is one asserted by a third party, shall provide reasonable assistance to you, at your expense, in defending any such claim, suit or proceeding.
Section 9. Import and Export Regulations Regarding Tangible Property
The United Kingdom and most foreign countries regulate the importation and exportation of tangible property. Many countries require a declaration of export for property that is leaving the country. Additionally, most countries require an Import Declaration at the time of customs clearance of property into that country. Upon import, these countries may impose duties, other taxes and/or restrictions on the property. Many countries also prohibit or restrict importation or exportation of property containing ivory, tortoiseshell, whalebone, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. Other countries regulate movement of antiquities and cultural items, which in some cases are subject to a right of pre-emption or compulsory purchase by the country from which they are to be exported. It is the responsibility of the seller to ensure that the item is properly and lawfully exported from the country in which it is located. It is the responsibility of the buyer to ensure that the property is properly imported into the buyer's country. If you participate in the auction or commerce portions of the Web site, and, as a result, purchase property that you plan to ship to another country, you agree that you are responsible for familiarizing yourself with and complying with any and all applicable rules and regulations.
THE COMPANY MAKE NO REPRESENTATION OR WARRANTY AND ACCEPTS NO LIABILITY WHATSOEVER TO THE SELLER, THE BUYER, OR ANY THIRD PARTY IN RESPECT OF THE AVAILABILITY OR ISSUANCE OF VALID IMPORT AND EXPORT PERMITS OR THE EXISTENCE OR EXERCISE OF PRE-EMPTION OR OTHER RIGHTS TO PURCHASE BY GOVERNMENTAL OR REGULATORY AUTHORITIES ANYWHERE.
Section 10. General
If any part of the Terms of Use is held unlawful or unenforceable that part shall be struck out and the remaining terms shall remain in effect. We hereby exclude to the fullest extent permitted by law, any rights of third parties.
1. Neither we, nor you, shall be liable for any failure of, or delay in, the performance of each of our respective obligations for the period that such failure or delay is due to causes beyond our respective reasonable control, including, but not limited to, acts of God, pandemics, war, fire, terrorist activity, strikes or labour disputes, embargoes, or government orders or regulation.
2. Any notice pursuant to or in connection with these Terms of Use shall be in writing and delivered by hand or by post to our registered office or by email to customer@antheafinearts.com, and in the case of us sending a notice to you, to the email address or postal address provided to us by you via our Website. Notices are deemed delivered on delivery if by hand or the third day after posting, or if delivered by email, immediately upon transmission if transmitted during normal business hours in the country of the recipient, or otherwise on the following business day.
3. The Terms of Use and any non-contractual obligations arising from or in connection with it or its subject matter or formation (including non-contractual disputes or claims), shall be governed by, and construed in accordance with the law of England and Wales and shall be subject to the non-exclusive courts of England and Wales.
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